‘To Be or Not To Bop’: Springfield Symphony Jazz Orchestra opens season with bebop sound

The Springfield Symphony Jazz Orchestra will open its new season on Saturday at the John Legend Theater with a tribute to the music of the bebop era including legends of the genre, Dizzy Gillespie and Charlie Parker. CONTRIBUTED

Credit: Contributed

Credit: Contributed

The Springfield Symphony Jazz Orchestra will open its new season on Saturday at the John Legend Theater with a tribute to the music of the bebop era including legends of the genre, Dizzy Gillespie and Charlie Parker. CONTRIBUTED

The Springfield Symphony Jazz Orchestra (SSJO) will open its 2024-2025 season honoring the music of two genre giants with a play on one of William Shakespeare’s famous phrases: “To Be or Not to Bop: The Music of Dizzy and Bird.”

The SSJO will take the audience on a stomping and swinging tour of the 1940s and ‘50s scene that saw Dizzy Gillespie and Charlie “Yardbird” Parker steering away from the big band sound and into a revolutionary new sound, bebop. Hear it interpreted with special guest soloist Ashlin Parker at 7:30 p.m. Saturday at the John Legend Theater, 700 S. Limestone St.

Tickets are available and cost $30 each.

“We can’t wait to get back at it, bringing many people together to listen to some great music,” said Todd Stoll, SSJO director.

Stoll said a common knowledge of jazz comes from the formation of bebop, which was considered a rebellion against the big bands that resulted in musical and social changes in the mid-1940s in New York, where legally mixed clubs saw Black and White audiences together to hear the music led by Gillespie and Parker as they became the next generation of jazz.

“They were absolute geniuses of composition and improvisation,” Stoll said. “They were technical virtuosos, playing faster, louder, more complicated pieces and it’s possibly the most difficult music to play. It’s been compared to changing a fan belt on a car while it’s running. You have to move fast and be careful.”

He confessed the intricacy of these songs means rehearsals are difficult, but the hard work will result in a fun concert.

Songs will include “Cherokee,” a song written for Parker, along with others of the era by Tadd Dameron, Quincy Jones when he was a young performer, and Billy Eckstein. Parker will do Gillespie’s numbers on trumpet.

The SSJO core remains intact and boasts three generations of musicians, ranging in age from 24-70, of different races, genders and creeds.

“The consistency of the personnel is a treat,” Stoll said. “There are members who were my students when I was a teacher, friends, colleagues. There’s a familial vibe to it and people have noticed. And we’re lucky for our audiences as we’ve gotten more and more support.”


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The SSJO will be back for its annual free holiday concert on Dec. 14 at Mother Stewart’s Brewing Co. and a week later for the ticketed Red Hot Holiday Jazz Stomp; the date and location for the Jazz Stomp will be announced at a later time.

The group will perform its final show of the season on March 22 with “Hammer Time: A Swingin’ Retrospective with Jeff Hamilton,” with the Grammy-nominated musician who played some of jazz’s greats.

For more information on the shows or the SSJO, go to springfieldsym.org/ssjo.

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